What’s Going On: A play in four acts before intermission 3 of 6 assignments

Setting: September 1971 to May 1972, rural Alabama

Characters: Twelve northern-born VISTA Volunteers sent to the South to fight poverty. After a week of training, they cut their hair, put away their bell-bottomed jeans and prepare for work as teacher’ aides, family planning specialists, construction supervisors and community organizers. They are full of idealism and brotherhood and the wonderful feeling that they are doing something important. However, their ideas about doing good, about being comfortable in the world are challenged in this culture that is confusing, frightening, and disorienting. They spent that year and the rest of their lives wondering what’s going on.

Soundtrack; Marvin Gaye’s What’s Going On

Act 1. Three days after arrival. The VISTAs are placed with host families while they look for housing. The third night one of the women is raped by a teenage boy. She tells her friends. They debate what to do. Reporting this to the police guarantees that the boy will be arrested and may pay with his life. It will also mean the VISTA site is shut down. Not reporting it means that the violation goes unpunished, that the other women may be targeted for other attacks. It is just three days and already they are in over their heads. They make up an excuse to the supervisor to move her to another host family. This event has repercussions all year. 

Act 2. End of September. A cell in the local jail. Sheriff Wilkins welcomes the VISTAs to Lee County. He tells them he can recognize a Yankee at a half mile away – the walk, the swagger, the clothes. He wonders why they would come all the way to Alabama when they have so much trouble with the “coloreds” up north, rioting and all of that. He knows that as outsiders, the VISTAs will be troublemakers and that he will be watching them carefully. Her reminds them that last year, the house that the VISTAs were living in in Beulah, a Black community, was firebombed. He sure hopes they doesn’t happen to them. 

Act 3.  Early October. Three women are renting an old farmhouse from the Belks, a prominent family in Lee County. Bubba Belk, the youngest of four brothers and like the VISTAs, a recent college graduate, visits and brings along the gift of a rifle so the women can have some protection. They refuse his generosity. He insists, reminding them that they have no phone, that the nearest police station is twenty-five miles away, and that everyone knows that three white girls are staying together alone in this house. He reminds them that they are living in Alabama, not where they come from.  He walks them to the backyard, shows them an old whipping post and has each of them learn to load and shoot the rifle. They each take a few shots. They thank him and promise each other to hide the gun away. 

Act 4. A warm May late afternoon, three VISTAs and six Black families gather together to work out the day’s schedule at the self-help housing site. A young man arrives in a pickup truck, yells at them to gather around, jumps into the back of his truck and says, “the Governor’s been shot. Governor Wallace has been shot!” One of the men leads the group in prayer and song. They are praying for the soul and deliverance of the Governor. The VISTA volunteers are quiet, wondering how these folks can be praying when their own hearts are so full of hate.  

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